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Author Archives: AndrewS.

About AndrewS.

140 characters could not justly explain anything about me. :)

Rare Finds: Marriage Supper of the Lamb

In the late 1980s, the Hoppers recorded what would become a concert favorite, Marriage Supper of the Lamb. Due to group membership changes & other songs receiving stronger response on the recording, the group quietly laid the song aside. However, for their debut Spring Hill release, Power, the group re-introduced the song giving a driving feeling instead of the more laid back feeling the original version possessed. This time, the song was an instant hit and traveled to the top 5 on the Singing News charts and was included in a Gaither video.

To review the song’s lyrics is not my motive here. However, in recording the song, the group managed to create 2 slightly different renditions in their Power version. The version sent to radio featured the a-typical brass section accompanied with the drums. The original intro which ultimately became the Power cd’s introductory music, is featured below.


For their 2000 installment of the semi-popular Share the Joy compilations, New Day Distributors partnered with Spring Hill to feature a song from the forthcoming project. Instead of the now-popular introduction and complete song, the record company released a version featuring a prominently placed electric guitar. Those licks were woven throughout the Share the Joy version featured here.


The most logical explanation for their removing the guitar licks was because they seemed to clash with the other instruments. Mixing a heavy electric guitar sound with brass and orchestration works on occasion, but this performance didn’t seem to fit completely. However, Kelly Back’s moment to shine in the hit song’s introduction was cut a bit short when the project was released to retail the following month. After listening to the entire song, a listener could easily recognize the incomplete vocal mixes which made Dean’s singing seem a bit far away. Recordings like this one make this $2.98 Share the Joy! 2000 cd a great deal.

 
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Posted by on August 22, 2011 in The Grab Bag

 

Ray Dean Reese diagnosed with cancer

Today, the Singing News posted a press release stating that Ray Dean Reese, award-winning bass vocalist for the Kingsmen Quartet, has been diagnosed with prostate cancer.

Here is a snippet from the official press release:

“Ray and his doctors are currently evaluating treatment options and while a definitive course of action has not been finalized, Ray is very optimistic about the future. Test results show that it is contained to one area.

“I have the utmost confidence in the medical specialists I’m working with,” says Ray. “But more importantly, my confidence in God is what will carry me through. We’ll take one day at a time together, and I’m asking that whatever His will for me might be, may it bring glory and honor to Him.”

The Kingsmen will maintain their full touring schedule—and Ray plans to be on the bus every time it departs from Asheville, North Carolina. “Every care will be taken to enable me to be on the road with the guys,” says Ray.”

I ask that you join me in prayer for Ray and his wife, Carolyn, as they maneuver through this unforeseen trial. In the midst of the health experiences Carolyn faced a few months back, fans were asked to pray for the family. Now, with Ray Dean’s diagnosis, fans are asked to pray fervently on his and his family’s behalf.

 
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Posted by on August 17, 2011 in News & Notes

 

Mini Reviews: New River, Kingsmen, & Bishop

Time has disappeared from my grasp, and I have discovered that it has run ahead of me somehow. When these projects’ release dates were announced, I decided I would eventually post a review of each album. However, time passed by, and others submitted reviews handling each end of the spectrum and all points between the two ends. As with each “mini review” feature, the actual album ratings are featured in the photo captions.

Rating: 9.25/10

1) Reach Out – Karen Peck & New River (Daywind Records)

This talented trio never fails to release exciting recordings with unique musical arrangements to match the lyrics. Each group member receives at least 2 solos with group front member, Karen Peck Gooch, receiving the majority of lead & solo features.  The project is likely to introduce many new fans with its solid musical direction. However, deeper lyrics from songs like Last Night and Behind the Line of Grace could have landed this project above its recent predecessors, No Worries and Ephesians One. However, the vocal blend Karen & New River has created with new second tenor, Jeff Hawes, is astounding. These are the thickest harmonies the group has seen in many years. New River failed to disappoint fans during the nearly 1.5-year wait. Reach Out‘s strongest cuts lie in the debut single, On the Banks of the Promised Land, as well as the potential hits, This Is What Mercy Does, Broken into Beautiful, and Sustaining Grace.

Rating: 9/10

2) Grace Says… – Kingsmen Quartet (Horizon Records/Crossroads)

Strong quartet harmonies and lively lyrics and melodies to match have drawn Southern Gospel fans to the Kingsmen’s style. With Randy Crawford’s recent re-joining, the group has provided a solid and soothing sound in Grace Says. The album’s direction seems to cater to everyone’s tastes while attempting to point out the common thread in each song – grace. The musical roller coaster on Grace Says isn’t for the single-styled individual. However, for those listeners like me who enjoy various music styles, the Kingsmen’s latest project is the right choice for them. Fans are treated to classic quartet harmonies, worshipful hymn-like melodies, and the Country and Pop feeling throughout Grace Says. However, the project seems to drag in the middle in its conversation of God’s presence in everyday lives. No, Southern Gospel songs don’t have to be overtly obvious as to who is the author and finisher of the faith. Grace Says (the song) and Ordinary Man could have benefited from stronger lyrical foundation making them feel less awkward. On the other hand, each member brings out stellar performances with He’s Everything I Need (That’s All I Need), Loving Shepherd Gracious God, I Can Hardly Wait, and If Not for the Love of Christ.

Rating: 8/10

3) I Still Need Him- Mark Bishop (Sonlite Records/Crossroads)

Nearing his 10-year anniversary as a soloist, Mark Bishop offers fans a cool retreat from the noise and distractions of everyday life. I Still Need Him offers fans a unique look on Bishop’s perspective of life. By drawing lyrics with fresh views of the Gospel message, Mark Bishop is able to capture the listener’s attention for a 10-song journey of faith and love. Because he writes with a narrative format, his titles sometimes don’t completely capture the eye for the ear to listen. However, songs like My Name Is Jesus, I’m Listening for the Call, That’s the Sound of a House Being Built on Love, and Are You Going Where I’m Going? give the listener a unique spin on common themes in the message – salvation. One of the potential downfalls with writing in the narrative style is the messages becoming too similar and less captivating. There’s no doubt as to the album’s direction, but the pace seems to quicken in some areas and slow down when you least expect it. Mark Bishop captures pleasing presentation with the thought-provoking lyrics in My Name Is Jesus (a performance including solo talents of Lauren Talley, Mitchel Jon, and Ivan Parker), I’m Listening for the Call, Are You Going Where I’m Going?, Your Easter Sunday Is on Its Way, and That’s the Sound of a House Being Built on Love.
Over the next few weeks, I will be posting full-length reviews. However, I felt the need to express my comments for these by showing the pros and cons of each CD. I hope you all enjoy a great weekend!

 
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Posted by on August 13, 2011 in Album Reviews

 

Jason Crabb & Isaacs Track Lists

Earlier this year, Jason Crabb hosted a special live concert at the Loveless Barn in Nashville, TN. The concert featured no brand new songs, but it included some Crabb hits as well as some of his own favorites. The 16-song collection, The Song Lives On, will be released on October 18 in CD & DVD format. The album will include the Crabb Family as well as Michael English and the Gaither Vocal Band.

Here are the tracks:

1. I’d Rather Have Jesus

2. I’ll Take Jesus

3. The Unclouded Day

4. Until Then

5. Jesus on the Mainline

6. Sweet Beulah Land

7. God on the Mountain

8. Through the Fire

9. Satisfied

10. Please Forgive Me

11. When He Was on the Cross

12. Who Am I

13. I Saw the Light

14. Why Me, Lord

15. Midnight Cry

16. Precious Lord, Take My Hand.

Also, on the Spring Hill/Gaither Music Group roster is the Isaacs’ new release, Why Can’t We. The project focuses on their harmonies blending Bluegrass roots with Country instrumentation and vocals. Unlike Jason Crabb’s album, Why Can’t We offers fans new lyrics while covering classics ranging from a Gaither tune (I Believe in a Hill Called Mt. Calvary) and a Lewis Family hit (Hallelujah Turnpike). The project releases on November 1, 2011, on Gaither Music Group.

Here are the tracks:

1. Hallelujah Turnpike

2. Waiting in the Water

3. Four Men Walkin’ Around

4. Why Can’t We

5. God Still Has a Plan

6. You Can’t Take My Joy

7. Why

8. I Still Trust You

9. He Knows All about It

10. Get on Board

11. That Is Why I Sing

12. I’m Gonna Love You through It

13. I Believe in a Hill Called Mt. Calvary.

These albums look to promise fans fresh opportunities for originality in the arrangements, vocals, and the instrumentation. Both projects are distributed through EMI CMG Distribution which will load actual song clips in the coming weeks. When the listings are update, I will let you know. In the meantime, you can watch one of Jason Crabb’s recent performances of God on the Mountain to get a “feel” for his arrangement as well as the Isaacs’ arrangement of I Believe in a Hill Called Mt. Calvary (My apologies in advance for the video’s “shakiness”).

 
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Posted by on August 10, 2011 in The Grab Bag

 

Volume 15: What a Way to Go, the Reinhardts

With the advent of the Eddie Crook Company and its MorningStar and Harvest Records labels, Southern Gospel fans saw many new family groups rise to the forefront. In 1989, the Eddie Crook Company picked up one youthful and energetic family, the Reinhardts. This family captured the fans’ attention quickly with their charm and energy. John Reinhardt, the group’s lead vocalist, wrote nearly all of their songs including the hit singles, Raise Your Hand, On My Father’s Side, and the featured hit, What a Way to Go. His sister, Jenise Reinhardt Waltz, and brother, Jeff Reinhardt, provided the alto and second tenor parts. Their stride in Gospel music ran approximately 4 years from 1988-1992 before they abruptly came off the road.

In his songwriting, John Reinhardt often took a common thought, based the message on Scriptural events, and established solid lyrics to accompany and capture each listener’s attention. For instance, the hit, What a Way to Go, shares the story of Elijah being carried away by chariots of fire – rather than through death. However, the second verse offers a glimpse into a mother’s death. However, the bridge offers the Christian a bright hope of how “we will rise up through the clouds where we’ll meet Him in the air.” By gathering 3 examples of entrances to heaven, What a Way to Go is a selection of well-crafted lyrics with excellent emotion and performance to match them.

The Reinhardts as evident in this performance were a fire-ball of excitement and energy. Eddie Crook’s signing them to his Harvest Records label proved to be beneficial. With a style similar to the Hinsons, the Reinhardts captured the audience by holding the Hinsons’ singing style high. Here, the Reinhardts perform their breakthrough hit & top 10 song, What a Way to Go, to a lively audience in Nashville, TN.

 
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Posted by on August 8, 2011 in Hits of the Past

 

Lauren Talley- 5 Years Old

Here is a video from a 1988 Talleys concert in Chattanooga, TN. Though not featured on the video, the Cathedrals were also billed on the same evening which proved to be quite a talent combination. However, this YouTube user captured the Talleys’ introductions of each other – something that would be quite interesting if used in concerts today. However, as was the case in each Talleys concert, Kirk Talley introduced a young Lauren Talley to the fans. Her introduction begins at the 3:55 mark with the performance following afterwards.

Though she was only 5 years old and under the weather, Lauren pulled off a solid performance. My favorite line in the song speaking of sharing love is, “‘Cause love is like peanut butter, I’ve always said; it ain’t much good until you spread it on the bread.” Any chance Lauren will be picking up this song for her solo repertoire? ;)

 
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Posted by on August 5, 2011 in The Grab Bag

 

Delois Barrett Campbell Passes Away

Delois Barrett Campbell

Fans of the Traditional Gospel genre will recognize Delois Barrett Campbell as one of the genre’s pioneers. She and her sisters, Billie Barrett GreenBey and Rodessa Barrett Porter, were well-known for traveling as the Barrett Sisters for more than 40 years. In addition to her performances with her sisters, Delois traveled with the Roberta Martin Singers also based in Chicago, IL. Her lead vocals help capture the essence of early Traditional Gospel female harmony. Mrs. Campbell’s influence spread through not only the Traditional Gospel genre, but also through Southern Gospel genre. Lynda Randle, Larnelle Harris, and Jessy Dixon all hold Delois Barrett Campbell as an inspiration to their own musical styles.

In 2003, Bill & Gloria Gaither taped a special 2-video set featuring predominantly Traditional Gospel artists. Hosted by Bill Gaither & TD Jakes, Build a Bridge and We Will Stand featured performances from the “best of” Traditional Gospel artists while mixing other Homecoming friends like the Crabb Family and the Martins to create two unique recordings. The Barrett Sisters were featured with 2 lively performances. One of those songs, New Home, is featured here, but with an excellent preceding biographical interview directly from Delois Barrett Campbell’s own perspective. In spite of being confined to a wheel chair due to arthritis difficulties, Mrs. Campbell’s stage presence never lacked in excitement as readily seen here.

 
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Posted by on August 5, 2011 in The Grab Bag

 

Gaither Vocal Band: the Ultimate Collection

Gaither Vocal Band, The Ultimate Collection

For all long-time Gaither Vocal Band and Southern Gospel fans, Gaither Resources has formed a collection of the “ultimate” GVB projects. This limited edition boxed set features the following projects: Southern Classics (Vols. 1 & 2), Still the Greatest Story Ever Told, Lovin’ God & Lovin’ Each Other, Testify, God Is Good, I Do Believe, and Everything Good.

Considering that these albums were all released during the peak of the consistently strong material, any wise Gaither Vocal Band fan who doesn’t own 2 or more of these albums definitely should make the purchase. :) However, the twist is that the collection will be available, for now, only at NQC next month. The cd set’s release lies in correlation with the Gaither Vocal Band reunion set to take place on Wednesday in Freedom Hall at NQC. By their (Gaither’s) stating that it’s not available anywhere else at this time, I believe that it will hit retail around late October or early November as a celebration of the group’s long – lasting trendsetting music.

 
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Posted by on August 3, 2011 in The Grab Bag

 

The Lord’s Prayer: Wes Hampton

On the first Saturday in June 2011, Courtney Collingsworth and Michael Metz were married. For the special music, the couple asked Wes Hampton to perform the classic, The Lord’s Prayer. Accompanying him on the piano is none other than Courtney’s mom, Kim Collingsworth.

The beauty of Hampton’s performance is the quality in his vocals. Raw footage doesn’t normally pick up the best quality sound, but a listener can quickly ascertain the perfection. His vocal control helps ease the song not only as a prayer but also as an anthem. With Kim Collingsworth’s skillful accompaniment, the performance is a nice touch of class and vocal brilliance.

 
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Posted by on July 29, 2011 in Song Reviews

 

CD: More Than Enough, the Whisnants

More Than Enough, the Whisnants

Through the years, Southern Gospel fans have become familiar with the Whisnants’ music. Jeff & Susan Whisnant provide the baritone and alto vocals, while Aaron Hise joins on the lead/tenor vocals. Eric Ollis (piano) and Austin Whisnant (bass) accompany the group. Since the group became independent in 1997, the Whisnants have offered projects featuring one hit after another. Their long-running vocal blend has allowed them to keep a consistent sound and develop a strong fan base. More Than Enough features the talents of 3 producers: Lari Goss, Jim Brady, and Mylon Hayes. With their newest release, More Than Enough, the Whisnants treat fans to sweeping orchestrations, expressive vocals, and musical arrangements to enhance them.

Opening the project is the mid-tempo Oh, It Is Jesus. This gives clear examples of the Whisnants’ Country roots. Continuing the project is the tune, All Is Well. This tune features a stunning performance from Susan Whisnant. The vocals are crisp and clear. On the other hand, the song’s similarity to the McKameys’ tune of the same name will make fans of both artists perplexed for preferences. The project’s first true uptempo lyric, God Settled It All, follows. The bumpy personality makes this tune radio friendly. Stronger lyrics would have made it a definite #1 hit. I’m Trusting the Blood features an entirely slow, traditional Southern Gospel flavor. In exactly opposite fashion, He’s Living Today offers swift orchestration to pick up the pace from the previous track. This tune is one of several cover tunes, one of which the Whisnants recorded on A Glimpse of Grace (1999). Fresh vocals and music accompaniment breathe new life into this strong piece.

Sandy Blythe tunes have been welcome on each Whisnants project for nearly 8 years. Susan Whisnant delivers a strong performance on I’ll Trust the Potter’s Hand. This is the strongest “new” tune on the project. The music provides an excellent backdrop for Susan’s soft delivery. The group then picks up the pace for a driving Country tune, Are You Ready?. The chorus’s lyrics are catchy and sure to light up request lines. Are You Ready? proves Susan’s ability to handle an up-tempo tune just as much as a ballad. I Will Glory in the Cross stands as the strongest performance on the project. Aaron Hise’s vocals make this selection his strongest performance to date. This features excellent Whisnant harmonies and Goss’s lush orchestrations weaved throughout to enhance Hise’s superb vocals. The Whisnants’ cover of I Will Glory in the Cross stands as one of 2011′s strongest performances. Dottie Rambo would be proud.

Once again, contrasts occur with the next track, Weapon of Prayer. Jeff Whisnant’s feature gives a cool Country style. Next is a medley of Southern Gospel favorites: Ready to Leave, Packin’ Up, Gettin’ Ready to Leave This World, and Goodbye, World, Goodbye. While each song is performed well, the medley seems entirely too rushed for fans to appreciate each song featured. Since the group used Ready to Leave the most, it seems more logical to sing the entire song and include one of the other 3 tunes. Closing the project, Susan Whisnant expertly performs the encouraging, yet convicting lyric, Burn the Boat. This Dianne Wilkinson tune shines as a strong message for the Christian. The lyrical set-up stands strong and is the most lyrically capturing song on More Than Enough. This tune will likely encourage each person in concert attendance because of its direct message to each person.

More Than Enough captures the Whisnants’ dream for an outstanding project. Joining forces with Lari Goss in the orchestrations and Jim Brady & Mylon Hayes on the vocal arrangements gives a strong bond. Production expertise helps keep the project standard high. Producers and group members successfully weaved portions of hymns in applicable places. For instance, the production team used two lines from the Crosby classic, Near the Cross, in I Will Glory in the Cross effectively to keep from diverting the listener’s attention to the original lyrics. On the other hand, the lack of lyrically strong up-tempo numbers gives the project a dragging feeling because the slower tunes are where the project’s deepest lyrics lie. However, the Whisnants are sure to win new fans as well as satisfy returning fans with More Than Enough. The fresh performances and music accompaniment provide the listener with the Whisnants’ strongest project to date.

CD Rating: 8.5/10

Songs: Oh It Is Jesus, All Is Well*, God Settled It All, I’m Trusting the Blood, He’s Living Today*, I’ll Trust the Potter’s Hand*, Are You Ready?*, I Will Glory in the Cross*, Weapon of Prayer, Ready Medley, and Burn the Boat*.

*Asterisks denote personal favorites.

Album copy purchased by reviewer. Available from the Whisnants.

 
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Posted by on July 25, 2011 in Album Reviews

 
 
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