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Crabb Family- Together….again.

Nearly two weeks ago, I had the privilege of attending a Crabb Family concert in Greenville, SC. I attended last year when the tour was basically Jason’s solo dates with his siblings. Song selection was Jason Crabb solo 85% last year. However, the entire family has created a unique tour this winter/spring for fans to enjoy them at the deepest of their thoughts. Titled the “Front Porch Tour,” this exciting and mesmerizing concert series is full of light-hearted and serious moments which are well-balanced for an effective concert.

Due to this event’s being held in a church, there is an already churchy atmosphere. Looking around, people are dressed in their Sunday attire even though this is a Friday night event. I must say this isn’t entirely an outside-looking-in perspective; I, too, am dressed in Sunday clothes. After a brief encounter with the ticket handlers, I traverse to the already filled church auditorium. The church hosts the Crabb Family with ticket charges at $25 for Artist Circle and $20 for General Admission. After their welcome to the platform, the clan performs a few fluffy ditties. Then, church starts.

Aaron Crabb stepped up to sing a new song, “Come Home.” This song moves the audience, but the family still seems to be a bit disconnected from the fans. Between songs, Jason Crabb serves as the emcee for the group. One can tell that he isn’t quite used to setting up songs for other people, but he handles the song transitions adequately. Fortunately, not every song is given the “the minute I heard it we had to record it” statement. Unlike last year’s event, the concert attendees are likely sitting on their hands. Minimal applause for songs like “Don’t You Wanna Go?” and “I Go to the Rock,” two tunes which received standing ovations halfway through last year, leaves ardent Crabb Family fans scratching their heads.

However, the audience does shower love for the newest Crabb Family bread and butter, “If There Ever Was a Time.” Each of the family members compliments the other with this excellent tune speaking of God’s provision. The song features balanced performances from each family member. Aaron Crabb shows his range with the soulful “extras” given to his notes. He keeps the melody alive, but he tastefully adds to the music. The massive vocals from the clan build the song’s momentum, creating a vocal conglomeration similar to a traditional Gospel choir. The large vocals contrast the smooth piano-only accompaniment which Blaine Johnson gives expertly.

In contrast, the most electrical moment of the evening is surprisingly “God on the Mountain.” The song appears on Jason Crabb’s latest solo effort, but he uses his siblings as back-up for this McKameys/Lynda Randle cover. The familarity of the lyrics help the audience to relax under Crabb’s fresh approach. Clearly, this performance is the moment of the evening. On the other hand, there are the concert attendees who are there to hear/see the family perform their anthem, “Through the Fire.” Until the bridge, Jason performs the tune solo with piano-only instrumentation. When the other musical instruments join in, one little woman starts to run around near the Artist Circle barrier. Going by people’s expressions, it seems that this song is at least part of why people love to see the Crabb clan together again.

Throughout the entire evening, there are effective moments of praise and worship. Each member of the group stands on his/her own feet and applauds the other members’ performances. Since their “retirement,” the family has managed to capture a unity not previously seen. At least in medium-to-large quantities. The union is so tight with this tour that one will more than halfway want the family to tour full time again. However, realizing how great these are together helps augment their separate ministries. With their “Front Porch Tour,” the Crabb Family weaves strong messages of hope and encouragement in varying styles. The tour works well, and everyone – family and fans- is satisfied.

 
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Posted by on February 2, 2012 in Uncategorized

 

CD: Why Can’t We, the Isaacs

Anyone who follows my music preferences knows I love family harmony. Genetics just help build a foundation for a vocal blend difficult for non-family groups to match or conquer. Though its roots run deep in traditional male quartet singing, Southern Gospel has been home to family groups of varying styles for decades. The Isaacs have transformed a unique Bluegrass blend into a successful conglomeration of Bluegrass & Country with deep Southern Gospel roots. The group’s latest release, Why Can’t We, proves their diversity while keeping each listener enthusiastic.

For groups who release new material each year or every other year, the recording process often becomes tiresome. However, if one were to add the potential strain of songwriting in the mix, the process could seem, at times, a bit overbearing. Sonya Isaacs Yeary and Becky Bowman contribute the majority of songs on the project while communicating them at the same time. For instance, the thought-provoking lyrics in “Waiting in the Water” probe into deeper emotion due to Becky’s soulful delivery. Likewise, Becky & Sonya’s demanding alto and soprano vocals shine on “You Can’t Take My Joy”, one of the project’s best up-tempo selections. The title track, “Why Can’t We”, offers a unique perspective on the task Christ outlines, forgiveness. This song’s hook may have been stated in murky format in some other song I don’t currently recall, but I enjoy the fresh and earthy feeling the tune offers.

Similar to their last project, Naturally…, the Isaacs dig into the wells from other great artists/songwriters. Becky’s cover of “I Still Trust You”, made popular by the Dunaways & the McFalls, is soft and enlightening on a simple avenue of life. Sonya’s layered harmonies above Becky’s lead vocals make the song even more enthralling. The group also turns in a superb performance of the Gaither classic, “I Believe in a Hill Called Mt. Calvary.” Many fans will associate this tune as a David Phelps-transformed ballad, but the Isaacs draw more emphasis on the lyrics in their simplistic approach. Covers of songs like “I Believe…” and “Hallelujah Turnpike” make the recordings seem not so much of a tribute to the past, but a uniquely different perspective of songs Southern Gospel fans have experienced throughout the years. In other words, the Isaacs’s recordings of these tunes don’t sound as if the group were obligated in any form to perform them.

As mentioned earlier, the Isaacs have experienced varying styles in their music, but the roots have stayed firmly planted in Southern Gospel. Until the group’s 2004 release, Heroes, the world didn’t hear much of the Country side of the Isaacs (electricity + drums). Their last “normal” cd, Big Sky, was the farthest from their traditional Bluegrass roots the group had visited. For most, the album seemed a bit too much too soon. Naturally… came along with much of the music taken away which left fans perplexed as to the group’s direction. However, Why Can’t We solves those qualms. This album is exactly the Isaacs’s last 3 projects tied into one release. Why Can’t We isn’t for only the sophisticated or more learned people. The honesty and sincerity prove their living the messages which helps make this project worthy of a slot among Southern Gospel’s best. The music, songwriting, and performances all show exactly the Isaacs’s abilities to sing differing versions of Southern Gospel while preserving the heritage instilled within them.

I highly recommend this project. I’m not into Bluegrass very much, and I like this project.

Personal Favorites: Hallelujah Turnpike, Waiting in the Water, Why Can’t We, You Can’t Take My Joy, Why, I Still Trust You, I’m Gonna Love You through It, and I Believe in a Hill Called Mt. Calvary.

Available from the Isaacs and Gaither Resources.

 
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Posted by on November 9, 2011 in Album Reviews

 

Prequel: Not without Love, Morgan Easter

* Please pardon my absence for October. I’ve been reviewing Southern Gospel. Due to prior obligations, I haven’t exactly had quality time to put thoughts to typing until recently.

Mainly because of my Southern rearing, I have developed a strong love for Country melodies – not the averaged Country (secular) lyrics. However, I enjoy projects from Karen Peck & New River or the Nelons or Jeff & Sheri Easter because of the raw effects of the music & lyrics. Jeff & Sheri’s daughter and harmony vocalist, Morgan Easter, is gearing to release her second solo project, Not without Love. It’s been nearly 9 years since Morgan released her first album, Jesus Knows Me This I Love. This new release helps create an identity different from the young vocalists of today.

From what I’ve heard via the trailer Madison Easter posted, the project is sure to mark some milestones in her musical journey. Joining her on vocals are Sheri Easter (“Like My Mother Does”), Joseph Habedank (“Dreaming Wide Awake”), and Wes Hampton (“Broken”). Also, family member, Shannon Easter, provides back-up harmonies for the project. Joseph Habedank, Jimmy Yeary, and Madison Easter are also among the songwriting contributors. Each of these aspects under the production efforts of Madison Easter, Morgan’s brother.

*Be watching for a full review of the project within the week of its release on November 11, 2011. In the meantime, Jeff & Sheri Easter are accepting pre-orders for the new project through their website.

 
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Posted by on October 25, 2011 in Album Reviews

 

2011 Singing News Fan Awards

In spite of the Singing News being unable to host a live stream of the program, they have given the opportunity to watch an on-demand video tomorrow.

Refresh the page as the program continues. Here is a list of winners:

Favorite Musician: Jeff Stice (Triumphant Quartet)

Favorite Horizon Individual: Courtney Collingsworth Metz (Collingsworth Family)

Favorite Tenor: Michael Booth (Booth Brothers)

Favorite Horizon Group: Ball Brothers

Favorite Baritone: Jim Brady (Booth Brothers)

Favorite Young Artist: Courtney Collingsworth Metz (Collingsworth Family)

Favorite Soprano: Kim Hopper (Hoppers)

Favorite Male Vocalist: Ronnie Booth (Booth Brothers)

Favorite Bass: Eric Bennett (Triumphant Quartet)

Favorite Lead: Ronnie Booth (Booth Brothers)

Favorite Alto: Libbi Perry Stuffle (Perrys)

Favorite Mixed Group: Hoppers

Favorite Female Vocalist: Kim Hopper (Hoppers)

Favorite Traditional Quartet: Triumphant Quartet

Favorite Soloist: Ivan Parker

Favorite Trio: Booth Brothers

Favorite Band: Gaither Vocal Band Band

Favorite Songwriter: Rodney Griffin

Favorite Album: Love Came Calling, Triumphant Quartet

Favorite Song: “Love Came Calling, Triumphant Quartet

Favorite Artist: Booth Brothers

Norcross Templeton Award: Peg McKamey Bean

James D. Vaughan Impact Award: Statler Brothers

 
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Posted by on September 28, 2011 in Awards Programs/Winners Listings

 

Jessy Dixon: the Legend

*Jessy Dixon passed away Monday, September 26, 2011, at his Chicago, IL, home. This a biographical tribute to one of Christian’s music fervent soldiers.

Spiritual music has embraced the thoughts of secular artists for several decades. One Traditional Gospel artist, Jessy Dixon, became known for mixing various music styles to create a feeling difficult to master.  Jessy’s exposure to music began at five years of age. Later he would meet the Traditional Gospel favorite, Rev. James Cleveland (author of Long as I Got King Jesus), who understood Jessy’s desire to share the Gospel in a different format. Cleveland became a mentor for Dixon, to help grow the potential seen in Jessy Dixon. During this time, Mr. Dixon would go on to write songs including God Can Do Anything but Fail and My God Can Make a Way. Upon Cleveland’s persuasion, Dixon started his own group, helping bring a unique dose of energy and voltage of electricity to the platform.

Much of the talented singer’s early success occurred in the 1960s and 1970s with his own group, the Jessy Dixon Singers. The group’s formation played a crucial role in the development of the attention Traditional Gospel music was to receive. However, the peak of Dixon’s success would occur after the talented group performed at the Newport Jazz Festival. At first, Dixon wasn’t uncertain of the concert’s ability to completely broaden their spectrum of influence. However, the Jessy Dixon Singers’ performance of The Wicked Shall Cease Their Troubling received rave response. Jessy and the group’s performance would go on to catch the attention of several mainstream secular and crossover artists including Paul Simon, Earth Wind and Fire, and Amy Grant. Dixon performed as an opening act for Simon, a feat that he viewed as “expanding the Gospel.”

After the glamour and bright lights of Pop Music, Dixon transferred his talents to church music. He began to lead choirs and smaller choral groups in a mixture of standards and his own compositions. Jessy Dixon’s songwriting catalog includes I Love to Praise His Name and Sit at His Feet and Be Blessed.By working in the church, he was able to establish stronger connections which made his music more accessible through church events and concerts. In 1993, Jessy Dixon wrote a Traditional Gospel favorite, I Am Redeemed, which charted for more than five years. Noted Southern Gospel soloist, TaRanda Greene, along with her husband, Tony, and third vocalist, Jeff Snyder, would later pick up the song in 2008 and receive instant success.

In spite of his efforts to bridge the gap between Pop and Traditional Gospel music genres, Jessy Dixon had not yet conquered bridging Traditional Gospel with Southern Gospel. Enter Bill Gaither. With Gaither’s highly successful Homecoming series, Jessy Dixon’s talents were exposed in massive quantities over 13-15 years. On the Homecoming series, Dixon was known for bringing high energy to the platform with each performance. His highly energetic renditions of Highway to Heaven; Get Away, Jordan; and I’m Richare all examples of authentic Traditional Gospel singing and performance. Jessy Dixon passed away Monday, September 26, 2011, at his Chicago home.

Jessy Dixon lived a life embracing music with all genres at all times. His fingerprints on various music styles may not be overtly present in today’s music. However, his work blending differing music styles has benefited several music genres, Pop; Traditional Gospel; and Southern Gospel. Through his life, he offered church members a different approach to worship that continues in today’s church music. In his lyrics, a listener can find assurance of salvation (I Am Redeemed) or a proclamation for spending time with God (Sanctuary). Through either the singing or the songwriting, Mr. Dixon’s purpose became evident. His purpose, that the message of the Gospel defines the Christian – and not the ethnic background or material possessions or social rank, has shaped his music style to be what it is today, full of class and dignity.

And all of this began when he was 5 years of age.

 
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Posted by on September 27, 2011 in Soldiers

 

Oh, the Song of the Year choices..

In more than 15 years, Singing News readers haven’t embraced more than one song by a group as one of their Top 10 nominees in the annual awards program. Several artists have accomplished this feat before, but no group has held the strong voter turn-out to make it happen. However, Triumphant Quartet is nominated in the 2011 Singing News Fan Awards for Song of the Year with two differing songs.

The first of the two songs, Somebody Died for Me, tells the story of a soldier sharing of an incident in battle when his comrade gave his life. Thoughts are shifted to Christ as being the ultimate sacrifice for mankind. Christy Sutherland and Kyle Mathews wrote a superb melody and effective lyrics to match the melody.

Love Came Calling, the title track from the group’s Album of the Year nominee, is also nominated. The group’s smooth blend, shown excellently with this song, captured the fans’ attention at the 2010 NQC as it quickly became a favorite. Wayne Haun & Joel Lindsey offer the listeners a unique spin on Christ’s efforts to reach to the captive.

Both songs share effective messages about the love of God and His sacrifice for man. Each song shares a story of man’s involvement with Christ. This facet offers the listener unique perspectives drawing him/her to deeper thoughts about the messages. Songs that reach the common man is necessary for not only a Southern Gospel group to continuing exist, but also for Southern Gospel music to exist. *One more similarity is that Scotty Inman leads both tunes. ‘Nough said about that.

However, the songs differ in their presentations. Somebody Died for Me receives a climactic approach to drive the importance of Christ’s presence; whereas, Love Came Calling offers a soft, drifting sound. For instance, when Triumphant Quartet performs the former, they use piano-only accompaniment. This allows for the vocals to be heard. However, the power in their performance gets lost in the shuffle. It seems as if the song wants to be a power ballad, but it doesn’t quite reach to the peak. On the other hand, the laid-back approach with Love Came Calling shows the quartet harmony better. It isn’t forced on the listener, nor is it forced on the singer.

Will these songs battle well for the Song of the Year title? To be honest, I really don’t know. As Scotty Inman told me at a concert this year, “We like having both songs nominated, but the votes may be split.” That is so true. In the 1989 Singing News Fan Awards, the Nelons were nominated with 2 mega-hits, I’ll Talk to the Father and Bring My Children Home. When the votes were counted, the McKameys won with God on the Mountain.

There’s also some competition – whether or not the group has two songs nominated. The Perrys have a strong contender with Celebrate Me Home as do Brian Free & Assurance with Never Walk Alone. Who will win? Check this link at 3:00 PM (EST) for the 2011 Singing News Fan Awards during which the award and other prestigious awards will be presented.

*Also, check here for live updates including a list of winners and order of performances.

 
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Posted by on September 27, 2011 in The Grab Bag

 

CD: Part of the Family, the Collingsworth Family

Southern Gospel music is filled with family names – however, incomplete family groups. However, the Collingsworth Family is entirely as their name states – a family. Audiences across the USA, Canada, and some foreign countries have eagerly anticipated the family’s first effort for StowTown Records, owned by Ernie Haase & Wayne Haun. Longtime Southern Gospel fans will appreciate the family’s salute to the past as well as a strong directional move forward on Part of the Family.

Opening the project is God’s Family. This Lanny Wolfe tune fits them like a glove. Having heard Kim’s siblings & parents perform this on her 2009 dvd, God’s Family shines stronger by the Collingsworth Family because of their multi-dimensional blend. Tell the Mountain offers a reflective tune on a current, yet familiar message, “Just tell the mountain how big your God is.” This message has been delivered in 2 other songs, but Tell the Mountain consistently and most effectively carries the purpose throughout. This is a smooth introduction to Phillip’s voice which is featured in several places on Part of the Family. Joy Unspeakable picks up the pace offering a testimonial perspective on joy. Because of the particularly stronger tunes, this seems to be lost in the mix, but it’s still a pleasant tune. Jesus Is All I Need offers a simple message of Christ’s constancy. Some would complain of its over-simplicity, but the simple moments are necessary to remind where the complex began.

Only the Collingsworth Family could take a male-quartet song and transform it into a family style song. Nothing’s Worrying Me gives a blues feel that Brooklyn portrays effectively. However, the style doesn’t fit with the musical approach on Part of the Family. Olivia Collingsworth shares a simple message in I Pray, sounding reminiscent of Courtney on God Is Faithful. Clearly, the strongest performance on Part of the Family lies in At Calvary. The family shows their ability to superbly capture and deliver each facet of a message. Phil & Kim step back on I Found It All. Courtney Collingsworth Metz, though not necessarily with the same vocals, has the ability to be this young generation’s Sheri Easter, a well-poised and effective communicator. The seemingly effortless emotional display immediately captivates and brings such an enlightening perspective on the lyrics. On the side, I love the track…especially those horns.

In stark contrast, the family moves into a cover of Just Another Rainy Day. This tune, previously recorded by the Nelons & LordSong, is given a rocky feeling. Phillip & Courtney’s solos are excellent showing some attitude and maturity in spite of their ages. They’re 17 and 20, but they sound approximately 15-20 years older, which is a good thing. The mix on this tune lets the music shine which may make this seem less appealing. However, the family needs to push it, and Just Another Rainy Day shows this well. One of my favorite Gaither tunes, Praise You, follows with such an excellent performance from the entire family. That’s the Place I’m Longing to Go gives an excellent view of heaven. This scaled-back tune sounds musically more like a hymn than At Calvary. To hear the group perform an acoustic song when least expected, I am awestruck. Very pretty harmonies everywhere. Closing is the magnificent The Resurrection Morn. The family evidently knows how to build a project’s concluding number and hold the attention throughout. This proves that a group other than the Gaither Vocal  Band can ably hold a big Gaither ballad through it all.

Part of the Family offers a retrospective approach to the Collingsworth Family. Mostly cover tunes, the latest release gives an excellent demonstration of their ability to cover various styles. On the other hand, this ability can lead to a flaw. While being able to sing diverse styles like blues & acoustic on the same project, the songs’ lyrics need to be strong to accompany those performances. Choosing stronger messages in both departments, up-tempo & slow, the Collingsworth Family could have an album to raise the bar for Southern Gospel – not just the Collingsworth Family. This album gives strong insight to their growth since their 2009 release, and I’m looking forward to many greater recordings from the group.

Personal Favorites: Tell the Mountain, At Calvary, I Found It All, That’s the Place I’m Longing to Go, The Resurrection Morn, Joy Unspeakable, Praise You, and Just Another Rainy Day.

Rating: 10/10 – completely

Production: Wayne Haun, for StownTown Records. Executive Producers: Phil Collingsworth and Ernie Haase. Available from the Collingsworth Family.

 

 
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Posted by on September 24, 2011 in Album Reviews

 

CD: Feels like Sunday, the Bowling Family

With the National Quartet Convention underway in Louisville, KY, I’ve decided to post some reviews of projects artists have ready to purchase. On the heels of their highly successful project, Shine, the Bowling Family has released Feels like Sunday. The album’s theme is derived from the various worship styles in different churches.

The project begins with what has already become a concert standard, I Thank You, Lord. Terah Penhollow’s voice is such a delight, showing her ability to stand beside veteran altos and sing just as well. Continuing in the Traditional Gospel flavor is a cover of Winds of This World. The excitement is sometimes difficult to convey in this style in the studio, but Kelly Bowling will be sure to capture the fans’ attention in live concert. The Bowling Family captures the essence of a Black Gospel performance with We’ve Come This Far by Faith, a biographical tune which is the strongest performance Kelly Bowling shares on Feels like Sunday.

The Bowling Family also included a few classics from the Church Hymnal. I’m on the Battlefield is easily one of the project’s strongest tunes. The project also includes Unclouded Day and Farther Along. Given the group’s unforeseen bus accident in July 2010, this tune gives stronger meaning to the idea of understanding through patience. The group crosses the border from Tennessee to Kentucky with the Church Medley (Bless That Wonderful Name of Jesus/God’s Not Dead, & Jesus on the Mainline). Terah Penhollow’s performance shines as the strongest in this medley. Another medley, the Blood Medley (There Is a Fountain, Nothing but the Blood, & The Blood Will Never Lose Its Power), offers the fans a more insightful blend to the ballads with its thematic approach.

In addition to the Traditional Gospel & Pentecostal music styles, the Bowling Family includes Praise & Worship through CCM covers. Terah Penhollow leads the family in a pleasant performance of Jesus Messiah, a popular Chris Tomlin tune. The performance felt stiff at times, making the family seem unfamiliar with this music style. Mercy and Grace ensues with a very slow pace. This is easily the least thrilling song on the project because of repetition and reliance on the musical backdrop. However, the little harmony lines Mike shares with the ladies are well placed and take away from the song’s drawn-out performance. In addition to these, the Bowling Family performs Aaron & Amanda Crabb’s tune, Thou Art Worthy, giving a seemingly flawless performance.

With Feels like Sunday, the Bowling Family has authentically captured the main tenants of church music and bottled them into an 11-track recording. This is the magnificence of Mike Bowling’s leadership as well as his production expertise. Each song is tailored to the individual’s abilities giving strong blends and harmonies to light the way. This project does give the fans a glimpse of each American church. However, there is a flip side. Feels like Sunday allows the fans to possess a brilliant marketing tool, too. The project ably shows the group’s ability to sing at any church simply because the styles are so readily adaptable to their voices. It doesn’t matter which church you attend, Feels like Sunday has more than enough for you.

Memorable Moments: I Thank You, Lord; Thou Art Worthy; Blood Medley; I’m on the Battlefield; We’ve Come This Far by Faith; and Farther Along

Available from the Bowling Family or Springside.

 
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Posted by on September 13, 2011 in Album Reviews

 

100 Years: a Celebration of Southern Gospel Music

On Saturday during NQC 2010, several artists reunited for a unique tribute to Southern Gospel’s century of quality music. Gold City Quartet, the Hinsons, the Downings, the Rambos, the Nelons, and several other artists gathered for a wonderful homage to the ever-encouraging Southern Gospel genre. Recently, Daywind Records, who promoted and sponsored the event, released the cd’s track list.

1. This Great Caravan Keeps on Rolling Along – New Gospel Singing Caravan (Chuck Wagon Gang, Blackwood Bros., and LeFevre Quartet)

2. I’ve Found a Hiding Place – New Gospel Singing Caravan (Chuck Wagon Gang, Blackwood Bros., and LeFevre Quartet)

3. Rambos Medley – Reba Rambo McGuire, Destiny Rambo, Dony McGuire, and Buck Rambo

4. O, for a Thousand Tongues – the Nelons (Kelly Nelon Clarke, Karen Peck Gooch, Stan Whitmire, Kelly Benton, Jason Clarke, Dan Clarke, Paul Lancaster, Katy Peach, and Amber Thompson)

5. We Shall Wear a Robe and Crown – the Nelons (Kelly Nelon Clarke, Karen Peck Gooch, Jeff Stice, Kelly Benton, Jason Clarke, Dan Clarke, Paul Lancaster, Katy Peach, and Amber Thompson)

6. Operator – the Downings (Ann Downing, Joy Gardner, Dony McGuire)

7. Greater Is He That Is in Me – the Downings (Ann Downing, Joy Gardner, Dony McGuire)

8. I’m So Glad He Found Me – the Hinsons (Ronny Hinson, Larry Hinson, Chris Hawkins Freeman, and Bo Hinson)

9. He Can – the Hinsons (Ronny Hinson, Larry Hinson, Chris Hawkins Freeman, and Bo Hinson)

10. The Lighthouse – the Hinsons (Ronny Hinson, Larry Hinson, Chris Hawkins Freeman, and Bo Hinson)

11. When I Get Carried Away – Gold City Quartet (Tim Riley, Brian Free, Ivan Parker, and Mike LeFevre)

12. I Think I’ll Read It Again – Gold City Quartet (Tim Riley, Brian Free, Ivan Parker, and Mike LeFevre)

13. Midnight Cry.- Gold City Quartet (Tim Riley, Brian Free, Ivan Parker, and Mike LeFevre)

The most perplexing portion of the song list is the fact that not all participating artists were included on the audio portion of the project. For instance, the Singing Americans’ performance of I Bowed on My Knees and Cried Holy or the Speers’ rendition of I Never Shall Forget the Day were not included on the cd. These songs and several others by the Easter & Lewis families, Singing Americans, the Speers, and the Cathedrals will be available on the initial DVD which releases during NQC. However, fans are given a taste of the special showcase’s strongest performances on the audio format. I expect Daywind to be selling quite a number of these dvd/cd sets at the 2011 NQC.

 
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Posted by on August 30, 2011 in The Grab Bag

 

Concert: Jeff & Sheri Easter, Providence Quartet, and Kevin Jones Family

This past Saturday, I attended a concert in Seneca, SC, featuring the Kevin Jones Family, Providence Quartet, and Jeff & Sheri Easter. The large church auditorium didn’t look too empty as nearly 300 people gathered for an excellent blend of entertainment and ministry. Joyful Noise Entertainment Group, a local events coordinator operated by Wayne Morton and Ray Burroughs, hosted the event.

The Kevin Jones Family took the platform for 5 songs mixing original songs and favorites. Kevin Jones, his wife, Tonya, and daughter, Sarah, performed a couple of recognizable tunes, I’m Living in Canaan Now and He Died, He Rose, He Lives – an original song made popular last year by the Bledsoes. The family harmony was the strongest on the songs, He Died…He Lives and Settle Down and Rest. Their harmonies are similar to the early Talley Trio days. Their set was an excellent surprise to the event.

Providence Quartet began with the classic, Glory Road. However, the group continued and sang quartet classics without performing any of their currently popular tunes like, When Jesus Speaks Life. I enjoyed their blend, but the harmonies weren’t given entirely fresh approaches. For instance, the arrangement for Hide Thou Me was the oft-used GVB arrangement. The interpretation was unique in some areas, but the vocals from the arrangement seemed too predictable for the averaged record table customer. Providence Quartet has an excellent idea of singing Southern Gospel’s strong songs. However, fresh arrangements will also help preserve the songs.

Jeff & Sheri Easter captured the fans with lively tunes like Life Is Great and Getting Better and thought-provoking tunes like Born to Climb. Each group member offered encouraging words through testimony or song. Morgan Easter has also transformed into an exceptional vocalist with stronger communication and confidence. The Easters’ youthful additions to the stage enhance the group’s ability to convey any message to anyone– regardless of age. Jeff & Sheri Easter offer fans a wide variety of messages without leaving the messages disconnected and awkward. Their matching Hear My Heart and I Get To is a perfect combination. The Easters proved their drive to encourage by stating that they drove the 85 miles from home to offer fans an excellent dose of joy through encouragement.

Saturday night’s venue offered fans a nice escape from life for a few hours. Each group performed with unique blends to match. For instance, two family groups, similar in vocal structure, performed at the same venue. However, their music styles were so diverse that fans did not feel overexposed to similar vocal setups. The entertainment portion was pushed to the forefront heavily after intermission with the Kevin Jones Family/Jeff & Sheri Easter performance of God on the Mountain including Kevin’s Peg Bean impersonation and Jeff’s tenor impersonation on Just a Little Talk with Jesus. Jeff & Sheri Easter have managed to keep the ‘singing/concert’ idea in the original context by offering fans a place to leave the troubles at the door for a little while. Southern Gospel needs more groups like Jeff & Sheri Easter to give a subtle reminder of just singing. And no soap box added. I recommend a concert featuring each of these artists.

Outstanding performances: Settle Down and Rest; He Died, He Rose, He Lives (Kevin Jones Family); Oh, What a Savior, Hide Thou Me (Providence Quartet); I Need You More Today, Born to Climb, Hear My Heart, and Roses Will Bloom Again (Jeff & Sheri Easter).

 
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Posted by on August 29, 2011 in Concert Reviews

 
 
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